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Headlines:Standing Ovation fuer ein brillantes Klangfeuerwerk (Westfaelische Nachrichten) Catherine's stunner (Belfast Telegraph) Organist who's in a Klais of her own (Birmingham Post) Bach with a bite (The Irish News) Pulling out all the stops (The Independent) Organist's keyboard mastery (The Courier) Quotes:"A brilliant player" (The Independent) "Superbly energetic" (Irish Times) "Consummate skill" (The Gramophone) "She made the Bull pieces sound delightfully modern" (The Times) "Natural and unmannered shaping was a pleasant feature... natural musicianship" (The Irish Times) "A very fine performance in which her apparently relaxed mastery conceals some formidable technical difficulties... this talented recitalist..." (The Gramophone) "Catherine Ennis brought a lightness of touch ... the warm and very enthusiastic response was totally justified..would that all Bach concerts were as well conceived as this" (The Organ) "Miss Ennis's playing of music by Bach and Bonnet was impressive and highly charged... this lady doesn't hang about, nor is she afraid of a bit of noise... Miss Ennis created some magical sonorities in the central slow section" (Irish News) "Everything she does should be well worth hearing" (The Irish Times) "As every note was so technically assured, musically brilliant and the sounds so effective and well- balanced, the audience rewarded Miss Ennis with a standing ovation... With this perfectly played British programme, so full of contrasts, Catherine Ennis showed off the many distinguished facets of the freshly renovated Cathedral organ" (Westfaelische Nachricten) "Her natural musicianship and her vitality shone through the elegant phrasing of the Vivaldi" (Kosice Korsar) "A fine recital" (Jyllands-Posten) "Here is a player who communicates to the audience her obvious enjoyment of
playing" (Zilinske Noviny) |
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